In “Seventh Sense”, from 2011, we began exploring the use of digital technology for production. Then with “Second Body” (2015), we started to approach the question of the relationship between physical and digital bodies. By the time we produced “The Eternal Straight Line” (2019), which discusses matters of life and death, a lot of progress had been made in terms of the state of technology and technical skill. We achieved better digital images and the ability to capture more visual detail. But moreover, with this work, one can see the processes of life playing out, such as when our family members change physically and as we watch our own bodies age. With the arrival of the new, there is always something newer to be found. Just as we chase progress in a never-ending cycle, a creator/artist is always following close behind, following like a shadow.